28 Years Later: Danny Boyle’s New Zombie Flick Was Shot on an iPhone 15

Director Danny Boyle has once again captivated audiences with his latest film, a sequel to the cult classic “28 Days Later” titled “28 Years Later”. However, what makes this new installment truly groundbreaking is the fact that Boyle chose to shoot the entire film using just an iPhone 15.

Despite initial skepticism from critics and industry professionals, Boyle’s decision to use the iPhone 15 as his primary camera proved to be a stroke of genius. The film’s gritty and realistic aesthetic perfectly captures the post-apocalyptic world inhabited by the film’s characters, adding a sense of immediacy and urgency to the story.

Boyle’s choice to shoot on an iPhone 15 also allowed for greater flexibility and mobility on set, enabling the crew to capture scenes in a variety of locations and angles that would have been impossible with traditional film cameras. This innovative approach to filmmaking has not only pushed the boundaries of what is possible in cinema but has also inspired a new generation of filmmakers to think outside the box.

Despite its unconventional production methods, “28 Years Later” has been met with critical acclaim and has proven to be a box office success. Audiences have been drawn to the film’s raw and visceral portrayal of the zombie apocalypse, as well as its timely commentary on societal decay and the fragility of human nature.

In an interview, Boyle explained his decision to shoot on an iPhone 15, stating that he was drawn to the challenge of working with limited resources and pushing the boundaries of technology in filmmaking. The end result is a film that is not only visually stunning but also emotionally resonant, capturing the desperation and resilience of its characters in a hauntingly realistic way.

As audiences continue to flock to theaters to see “28 Years Later”, it is clear that Danny Boyle’s bold experiment in filmmaking has paid off in a big way. By defying conventional wisdom and embracing new technology, Boyle has once again proven himself to be a visionary director who is unafraid to take risks in the pursuit of cinematic greatness.